Just yesterday we gave you the news about a re-release of GODZILLA: THE JAPANESE ORIGINAL coming to the big screen and now we have a brand new poster and trailer celebrating said release. Check them out below.This awesome looking restoration is from the original cut of Godzilla from 1954. If you remember, the American version which was released here in 1956 had Raymond Burr thrown in and cut some hilarious “black comedy” as well. This version gets right down to the nitty gritty and shows how important Godzilla was in 1954. It tackles the warnings and consequences of nuclear testing on the pacific and has Godzilla in a villain role more than just a lumbering monster.
From The Press Release:
A new restoration of GODZILLA: THE JAPANESE ORIGINAL, the monster classic that has spawned six decades of sequels, imitations, and remakes, will debut April 12 at the fifth TCM Classic Film Festival in Hollywood, followed by a national release beginning at New York’s Film Forum, April 18-24.
GODZILLA was originally released here in 1956 as Godzilla: King of the Monsters, an atrociously cut, dubbed and re-edited version that inserted American actor Raymond Burr into the action; only an hour was used of the original’s 98 minute running time. Burr does not appear in the original, uncut version, which has an all-Japanese cast including Kurosawa regular Takashi Shimura, who the very same year appeared as leader of the Seven Samurai.
As directed by Ishirô Honda, with special effects by the legendary Eiji Tsuburaya, GODZILLA: THE JAPANESE ORIGINAL is much darker in tone than the dumbed-down U.S. release version, which entirely eliminated the original’s underlying theme: in the Japanese version, the monster is clearly a metaphor for the nuclear menace and the film itself a cry for world peace and disarmament. The American version also cut out all of the original’s astonishing Strangelove-like black humor.
The original GODZILLA holds up as one of the greatest science fiction/monster films ever made, boasting still-impressive special effects, as the radiation-breathing prehistoric monster, awakened after millennia by Hydrogen Bomb testing – and impervious to repeated shelling by the Japanese army – wreaks destruction on Tokyo.
GODZILLA became Toho Studio’s #1 box office hit of 1954 (its #2 that year was Seven Samurai) and was so popular worldwide that the company has since produced nearly 30 sequels and remakes; a statue near Toho headquarters in Tokyo pays tribute to their most valuable property. In 1984, the prestigious film journal Kinema Junpo rated it among the top 20 Japanese films of all time. In 1989, a published survey of 370 Japanese movie critics, Nihon Eiga Besuto 150 (Best 150 Japanese Films), ranked Godzilla the 27th greatest Japanese feature ever made.
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